- Joined
- Nov 15, 2008
- Messages
- 7
Well i guess i can make one but it might take a while you know?
PS: its in MIDI Format
PS: its in MIDI Format
Copyright
ID Software (R)
Please dont Modify this in anyway or distribute to the public, deleting 2/8/10
if you break these rules you will be in trouble
Attachment 75084
Plz read message below
Attachment 75083
READ!!!!
DOOM 2 MAP30
BOSS DEMON Noise is this Backwards:
"in order to win this game you must kill me john romero"
THIS ISNT MY MUSIC ITS JUST A THING TO SHOW U!!!!
deleting songs in 2 hours 12 AM
click attachment 75083 and click attachment 75084
OH W8 i found my custom music
Attachment 75085
Wait, what? All your links are broken - and you should attach your music directly to the post. I also have a hard time believing that you finished your entire entry within a few hours of your first post.
fuck with an accent on the u???[/offtopic]
Anyway, do you really want to risk being disqualified for the sake of not wanting to get off your fat backside and convert one damn file to a better format?
should have used another uploader, Megaupload or rapidshare maybe?Sorry, the free service is at full capacity.
Please try later or upgrade to sendspace Max™ to enable guaranteed slots and instant, fast downloads.
Fanny.Shaver, i can't download it.
should have used another uploader, Megaupload or rapidshare maybe?
Please edit your last post, instead of double posting
You do that, tooYou've double posted
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Meh, I'm tired of waiting for the 28th. Here's my entry.
Songs of the Earth Mother is an orchestral work in the romantic style about the life of a tribe of tauren fifty years before the arrival of the orcs. The piece is in the key of D-flat major, and was composed using Noteworthy Composer.As soon as I heard of the theme of this contest, I was eager to compose something with a story behind it. I hope that, while simple, you can feel this story through the music, and see what I see when I listen.Fifty years before the orcs ever set foot on Kalimdor, the proud, gentle giants known as the Tauren roamed the plains of Mulgore. Here we see the sun gently peek over the horizon, as the grass sways in a gentle morning breeze. The gentle silence is broken by the sweet sound of a flute, played by a tauren sitting atop a hill, awakening his brothers and sisters. The tauren rise from their sleep, and venture out from their tents, going about their daily lives. As the sun rises higher into the sky, the drums call out the hunters to pick up their spears. Cheered on by those who stay behind, the hunters rush out of their encampment onto the vast plains. Running across the endless hills, they soon come to a herd of beasts, grazing. At once the tauren charge, and the beasts, spooked, stampede at once. The chase is long and tiring, but soon one beast begins to fall behind the others, and the tauren, seeing their chance, throw their spears. The beast falls, and the tauren rejoice, triumphantly carrying the carcass back to their camp, and offering their thanks to the Earth Mother.[/This piece is composed for a full orchestra, consisting of strings (16 violins I, 14 violins II, 12 violas, 10 violoncellos, and 8 double basses), two flutes, two oboes, two clarinets in Bb, 2 bassoons, 4 horns in F, 3 trumpets in C, 2 tenor trombones, 1 tuba, two native American flutes, timpani, and other assorted percussion. The strings serve primarily as ambience, while the woodwinds play out the more subtle themes, the brass playing out the loud and bold passages, with the drums accentuating the music all the way with their strong beats.The tauren have long been my favorite race in the Warcraft universe. So, when I heard that the theme was races, I instantly knew that my composition would be for the tauren. Of course, when I thought of the tauren, two things immediately leapt into my head, native American music, and Antonin Dvorak’s New World Symphony. The latter has been a long-time favorite of mine, and my piece was heavily inspired by it, particularly the second and fourth movements.
But the other half, native American music, was what I worked hard to immerse myself in, and probably the most important part of this piece. For several weeks, I practically lived my life with songs like this, this, this, and this in the background, all the while dissecting the theory behind this music, which remains my favorite type of non-classical music. Thus the main theme of this piece arose, built mainly off of the pentatonic scale used by many a native American tribe. The base tune was actually something I found myself humming which I then fitted to the pentatonic scale, and after that, the rest of the theme just came flowing out. After that, it was a simple process of making a suitable introduction for what I wanted to portray, and then working out the proper harmony for this melody. The rest of the piece simply flowed from there. With the story I wanted to convey in mind, I then set about creating the second theme, which just came to me on the spot, as I was composing. Finally, I worked out the drumbeats. Oddly enough, the beats were simple rhythms I found myself tapping out one day, which I then either layered on top of each other, or a simple beat in the background.Made this just for fun
Songs of the Earth Mother Album Cover
Meh, I'm tired of waiting for the 28th. Here's my entry.
Songs of the Earth Mother is an orchestral work in the romantic style about the life of a tribe of tauren fifty years before the arrival of the orcs. The piece is in the key of D-flat major, and was composed using Noteworthy Composer.As soon as I heard of the theme of this contest, I was eager to compose something with a story behind it. I hope that, while simple, you can feel this story through the music, and see what I see when I listen.Fifty years before the orcs ever set foot on Kalimdor, the proud, gentle giants known as the Tauren roamed the plains of Mulgore. Here we see the sun gently peek over the horizon, as the grass sways in a gentle morning breeze. The gentle silence is broken by the sweet sound of a flute, played by a tauren sitting atop a hill, awakening his brothers and sisters. The tauren rise from their sleep, and venture out from their tents, going about their daily lives. As the sun rises higher into the sky, the drums call out the hunters to pick up their spears. Cheered on by those who stay behind, the hunters rush out of their encampment onto the vast plains. Running across the endless hills, they soon come to a herd of beasts, grazing. At once the tauren charge, and the beasts, spooked, stampede at once. The chase is long and tiring, but soon one beast begins to fall behind the others, and the tauren, seeing their chance, throw their spears. The beast falls, and the tauren rejoice, triumphantly carrying the carcass back to their camp, and offering their thanks to the Earth Mother.[/This piece is composed for a full orchestra, consisting of strings (16 violins I, 14 violins II, 12 violas, 10 violoncellos, and 8 double basses), two flutes, two oboes, two clarinets in Bb, 2 bassoons, 4 horns in F, 3 trumpets in C, 2 tenor trombones, 1 tuba, two native American flutes, timpani, and other assorted percussion. The strings serve primarily as ambience, while the woodwinds play out the more subtle themes, the brass playing out the loud and bold passages, with the drums accentuating the music all the way with their strong beats.The tauren have long been my favorite race in the Warcraft universe. So, when I heard that the theme was races, I instantly knew that my composition would be for the tauren. Of course, when I thought of the tauren, two things immediately leapt into my head, native American music, and Antonin Dvorak’s New World Symphony. The latter has been a long-time favorite of mine, and my piece was heavily inspired by it, particularly the second and fourth movements.
But the other half, native American music, was what I worked hard to immerse myself in, and probably the most important part of this piece. For several weeks, I practically lived my life with songs like this, this, this, and this in the background, all the while dissecting the theory behind this music, which remains my favorite type of non-classical music. Thus the main theme of this piece arose, built mainly off of the pentatonic scale used by many a native American tribe. The base tune was actually something I found myself humming which I then fitted to the pentatonic scale, and after that, the rest of the theme just came flowing out. After that, it was a simple process of making a suitable introduction for what I wanted to portray, and then working out the proper harmony for this melody. The rest of the piece simply flowed from there. With the story I wanted to convey in mind, I then set about creating the second theme, which just came to me on the spot, as I was composing. Finally, I worked out the drumbeats. Oddly enough, the beats were simple rhythms I found myself tapping out one day, which I then either layered on top of each other, or a simple beat in the background.Made this just for fun
Songs of the Earth Mother Album Cover
well, overall it certainly is a good song (though it felt a bit like pocahontas, but i guess it should feel that way). However, it is a bit long, if you ask me it might as well and at 3:04. You could remove some of the repeating melodies during the first part (before 3:04) and add some of the melodies in the second part to make it shorter, because right now it is a bit long, and not many people want to listen to long songs (except classical composers, but they're a different story).
Anyway, a good song.
The contest here is to make gaming music that fits within wc3. Means background music. Means long = good. I would support long music rather then to downgrade it.
You completely missed the point of this contest. How many times do I have to say it, THE MUSIC DOES NOT HAVE TO BE BACKGROUND MUSIC. Cobra's style is Cobra's style and there's nothing wrong with that. It can be background music if you want it to be background music but this is a music contest, not a wc3 background music contest.
Teuncreemers... I honestly don't see your point. The next music contest might be about background music, but this one isn't. So saying that a track doesn't fits as a background music is completely unrelated and you should not rate pieces of music in this contest by how well they fit in-game. Read the first page, please.
Sorry maybe I came on to strong, but I'm really getting tired of people not reading the rules (not saying you didn't but I've answered the same questions many times). And then we had this huge argument about whether or not electronic music was good or not because someone else kept trying to insist that this is a background music contest.
Yes, Cobra's music is perfectly fine for it's length. And hey, it's not EMPerror who's judging the contest.
Sorry, I'm just getting really tired of answering the same exact questions
Sorry maybe I came on to strong, but I'm really getting tired of people not reading the rules (not saying you didn't but I've answered the same questions many times). And then we had this huge argument about whether or not electronic music was good or not because someone else kept trying to insist that this is a background music contest.
Yes, Cobra's music is perfectly fine for it's length. And hey, it's not EMPerror who's judging the contest.
Sorry, I'm just getting really tired of answering the same exact questions
Windows
Media
Audio? What do you have, a MAC?
Oh, nevermind. Firefox was causing some troubles. Yeah, I get it now.
Sounds very Jungle-ish. I don't know what race it could fit, to be honest.
I have confirmed my ability to join this contest...as long as the right to use noteflight.com is approved. You are required to join the site; however, its free, fast, and shouldnt take you any longer than it would take you to download a file. You simply join, sign-in, and type the name of the score into the search field.